WGT Musik Kammer

14.00

"Hand in Hand" – Spanish Music from the Renaissance to the Present
Sarah Kollé – Soprano, Katrina Szederkenyi – Harp, Andrea Kollé – Flute

"Hand in Hand" transports you to the sound world of Spain – from the Renaissance to the present day. Soprano, flute, and harp combine historical masterpieces with contemporary premieres to create a finely nuanced dialogue of poetry, timbre, and emotion.

Marin Marais (1656-1728)
Theme and Variations "Les Folies d’Espagne" (1701) for flute and harp

Joaquín Rodrigo (1901-1999)
"Dos poemas de Juan Ramón Jiménez" for flute and soprano

Jonas Otte (*2000)
"Caminante…" for soprano, flute and harp (text: Antonio Machado)

Alonso Mudarra (1508 - 1580)
"Claros y frescas rios" for soprano and harp

Diego Ortiz (1510-1570)
Zwei Ricercaden aus "Tratado de Glosas sobre clausas y Otros Géneros de Puntos en La Música de Violone" (Rom 1553)

Jonas Otte (*2000)
"…no hay camino" for soprano, flute and harp (text: Antonio Machado)

Alonso Mudarra (1508 - 1580) "Romanesca", "Si me llaman a mi" for soprano and harp

Anonymous
"El cant dels ocells", Catalan folk song for soprano, flute and harp

16.00

Trio Amphiprio - between folklore and abyss
Samuel Waffler -Piano, Atur Performance – Violin, Pierre Schaaf - Cello

Program:
Frank Martin (1890-1974): Trio on Irish Folk Melodies (1925)
Mieczysław Weinberg (1919-1996): Klaviertrio in A minor, Op. 24 (1945)

Frank Martin's trio unfolds a hidden magic – dance-like, playful, yet full of underlying energy. Folklore as an echo of an ancient, almost mystical tradition.

The abyss of modernity: Mieczysław Weinberg's Piano Trio carries the shadow of war within it. A relentless machine oscillating between lyrical stillness and eruptive violence – an abyss that pulls the listener into its existential depths.

A synthesis of extremes: two worlds colliding: the vibrant, almost trance-like lightness of folklore and the dark, oppressive intensity of the abyss. A program designed to make you lose yourself between beauty and horror, tradition and modernity.

14.00

SPIIGELWND - Improvisational Orchestra in Chamber Music Formation
Anne Willem – oboe & kotamo, Sebastian Lange – bass clarinet & saxophone

SPIIGELWND is a duo that embraces musical diversity. They met in the Stegreif Orchestra, which is known for consciously transcending genre boundaries. They invite you on a special sound journey where old and new worlds collide.

The program unites works by Enrique Granados, Luciano Berio, György Kurtág, Jean-Philippe Rameau, John Dowland, Tarquinio Merula and others, paired with original compositions and improvisations. This creates a tension between early music, contemporary sounds and free forms.

A concert experience spanning eras and cultures – intense, multifaceted and full of contrasts.

16.00

"Bach pure’n‘tide – ein Rendezvous: Hairdryer’s Chamber Music Infection #57"
Lukas Dreyer – cello, looper, Stefan Locher – electric bass, congas, Sönke Reger – violin

In a first collaboration, Leipzig cellist Lukas Dreyer invites two musicians to his "Infection" series – a series in which he has for years enabled unexpected ensembles, rarely performed chamber music, and thus genre excursions. The pieces enter into a solo dialogue across new soundscapes and surprise with Latin American finesse in the beats set to authentic music by Bach – "pure 'n'tide" – a pulsating sound concept between worlds, a WGT premiere.

The program features the Chaconne, impressions from the six solo suites for solo cello, looper, and various duo and trio arrangements. New arrangements of organ trio sonatas and the Well-Tempered Clavier provide sonic counterpoints. And, as with every "Infection" concert, composer Chick Corea is posthumously represented with newly arranged Children's Songs.